This mode is outlined in ‘Introduction to Documentary’ by Nichols (2010). The film draws inspiration from other documentary works such as The Thin Blue Line & Night and Fog. The controversial content and subject matter of the film causes it become and emotionally based film, adding the aspects of the Performative Mode. Initially skeptical about treating the subject, French film director Alain Resnais was ultimately convinced to undertake the project when poet and True The poetic mode is unique because it "de-emphasizes" the most common traits of popular documentaries. Night and Fog is a sublime film about which it is difficult to speak. Night and Fog, a short war documentary filmed ten years after world war two, was directed by Alain Resnais opened up with depicting the heavily guarded landscapes surrounding the concentration camps in color. While some scenes were portrayed in color, the majority of the film was depicted in black and white. Expository Mode One of the modes of documentary film described by Bill Nichols. View documentary.docx from FILM 1101 at Georgia State University. Night and Fog (French: Nuit et brouillard) is a 1956 French documentary short film. The Expository Mode . Performative Mode: These documentaries adopt an experimental approach. Night and Fog is a short French documentary released in 1956, directed by Alain Resnais. A well regarded film critic-turned-director, Jung debuted with the romance melodrama film Cafe Noir (2009). Use Manual or Aperture Priority Mode for Shooting. Alain Resnais’ Holocaust documentary Night and Fog (1955) is stated to be “the most powerful film on the concentration camp experience” (Insdorf, 1983), “the Holocaust film of all Holocaust films” (Gonzales, 2001), “possibly the single most powerful documentary ever made” (Rabinger, 1992). decision to create his documentary Night and Fog, but it would be ten years after the war before it got made. One of the many unique features of this film is it’s personal feel. EVALUATION Test relating to contents developed on the videos and documentary screening. Examples: The Bridge, Song of Ceylon, Listen to Britain, Night and Fog. Over 1000 films got votes, from years as early as 1892 to as recent as 2013. B. Priestley. You can bring the most out of your shots by setting everything as you wish. Night and Fog. One of the most vivid depictions of the horrors of Nazi Concentration Camps. ... Night and Fog (1956) — Dir. Night and Fog (English Subtitled) Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz. Reflexive mode François Truffaut once called Night and Fog “the greatest film ever made.” If you don’t believe me, here is the exact quote: “The effective war film is often the one in which the action begins after the war, when there is nothing but ruins and desolation everywhere: Rossellini’s Germany Year Zero (1947) and, above all, Alain Resnais’ Nuit et brouillard, the greatest film ever made.” ... (unlike fiction film). 1955 French film Night and Fog Film poster Directed byAlain Resnais Written byJean Cayrol Produced byAnatole Dauman Narrated byMichel Bouquet CinematographyGhislain Cloquet Sacha Vierny Edited byAlain Resnais Music byHanns Eisler Distributed byArgos Films Release date 1955 Running time 32 minutes CountryFrance LanguageFrench Night and Fog is a 1955 French documentary short film. “Night and Fog” Night and Fog is a French documentary that was made ten years after the Holocaust, and documents the horrors and unspeakable crimes of the Nazis. 1. The poetic mode does not concentrate on the narrative of the film but rather the sounds and rhythms of the film. documentary Night and Fog (1955) is the best blueprint for Holocaust representation.1 Its strategy of imparting information both personal and historical, both general and identifiable, addresses the contradictions necessarily created in the wake of mass tragedy. Night and Fog Alain Resnais Learning objectives: • Recognize the relationship between the Documentary and Historical Knowledge • Recognize the relationship between of Film and Cultural Memory Introduction: Film provides a major source of discourse on the past and … Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps. The expository mode is the most familiar. Unlike many modes of documentary, performative do not set out to reach a truth but show a perspective or ‘what is like to be there’. An exercise of Expository Documentary Mode. Night and Fog (1955) Hanns Eisler's film music to "Nuit et Brouillard" won the prestigious Prix Jean Vigo in 1956, immediately after the film was released. Night and Fog is a mixture between these two movements, and a … The victims, mainly Title: Night and Fog Original: Nuit et brouillard Year: 1955 Category: History, Documentary, War Translation: EN, ES, PT, DE, FR, IT, NL, NO, JP Date added: 01/22/2018 15:38:44 Description: The documentary film from French director Resnais set ten years after the Second World War depicts the problems of Auschwitz with shocking images from the concentration camps. Night and Fog. The documentary, Night and Fog, directed by Alain Resnais, was produced in 1955 as a short historical documentary about concentration camps used during the Holocaust. Examples: Super Size Me (2004) directed by Morgan Spurlock. While some scenes were portrayed in color, the majority of the film was depicted in black and white. The film shows the life during the Holocaust and in concentration camps and the kind of life Jews experienced in these concentration camps. Movies. The poetic mode of documentary is possibly the most different of all of the various documentary modes. An association set up for the remembrance of the deported “wanted Night and Fog to be made as a means of eternalizing the memory of its dead and to hand the ‘flame of memory’ down to younger generations.” (p. 232) Perhaps at the time this would have seemed a useful ambition, but there have been numerous other works in fictional and documentary form that accompany it along a … 101 RS Podcast Documentary Modes – Hoop Dreams versus Night and Fog. Any adjective, any aesthetic judgment would be out of place in speaking of this work, which is not an "indictment or a "poem" but a "meditation" on the deportation. Night and Fog in Japan (日本の夜と霧, Nihon no Yoru to Kiri) is a 1960 Japanese film directed by Nagisa Ōshima.It is an intensely political film both in subject matter (Zengakuren opposition in 1950 and 1960 to the Anpo treaty) and in thematic concerns such as political memory and the interpersonal dynamics of social movements. Some of the footage from the camps are very awful. After watching, Night and Fog, I firmly support the need for international regulation of genocide. Please consider upgrading to a Pro account —for less than a couple bucks a month, you’ll get cool additional features like all-time and annual stats pages ( example ), the ability to select (and filter by) your favorite streaming services, and no ads! Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler’s concentration camps. Alain Resnais’ Night and Fog (1956), John Grierson’s Drifters (1929), and Michael Moore’s Bowling for Columbine (2002) are the perfect examples of these documentaries. One of the first cinematic reflections on the horrors of the Holocaust, Night and Fog contrasts the stillness of the abandoned camps with haunting wartime footage. Documentary screening: Night and Fog (1955) by Alain Resnais (not available on edX). Examples: Alain Resnais’ Night And Fog (1955), with a commentary by Holocaust survivior Jean Viewing Questions for Night and Fog 1.) Jung Sung-il is a South Korean film critic, director and screenwriter. The film does a great job of giving both sides of the story and remaining sensitive to the people who were subject of the film. The film was composed of shots of the camps making it graphic in nature. Would kill those along the way. RESOURCES Additional resources in English or Spanish, mostly links with extra information about unit contents. Catfish (2010) directed by Ariel Schulman and Henry Joost. 7 years ago. Yet at this point I began to wonder if I was still teaching documentary or if I had ventured into some other territory. For example in Night and Fog, Alain Resnais does not present a historical analysis of the Holocaust. Night and Fog (1956) Tongues United (1990) 1. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." The director achieved this feat through the use … Rather the focus is on this could happen again, and it could happen to you. Above Image: An example of the poetic mode of documentary, Nuit et Brouillard (Night and Fog) by Alain Resnais (1955). Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz. The use of animation’s dialectic of figuration and dissolution to reflect upon the ambiguities and inevitable aporias of filmic historiography in the face of unspeakable trauma can be traced through Resnais’s later work, in particular his Holocaust documentary Night and Fog (1956), and later feature film … Drawing on techniques of avant-garde films and even fiction films, these documentaries emphasize our subjective experience of the world and our emotional responses. Since an unobtrusive observation of the subject is avoided completely, this style of documentary filmmaking is a stark contrast to the observational mode. for most of the film, narration in the past tense. For our first Documentary Mode exercise, I decided to make an Expository film. As a modernist historical documentary Night and Fog “engages the techniques of the compilation film, and then uses a series of other techniques – reflexive, modernist, poetic – to effect a radical break with the traditional documentary discourse of atrocity.” 11 At the same time, Night and Fog does share many of the neorealist symptoms of a film. emphasizes verbal commentary and an argumentative logic. Night and Fog is a short French documentary released in 1956, directed by Alain Resnais. The indexical mode of representation that is the basis of documentary was necessary to the cinematic relaying of trauma by films like the Wiener footage andThe Death Camps. Examinations and Assignments: Assessment will be based on three papers. The expository mode is the most familiar of the six types of documentaries. … styles. The major focus of the film is not what the Nazis did, or even who they did it to. Night and Fog, a short war documentary filmed ten years after world war two, was directed by Alain Resnais opened up with depicting the heavily guarded landscapes surrounding the concentration camps in color. The film details a very contemplative, moving and emotional account of the situation in the Nazi concentration camps. Night and Fog Film Review Night and Fog, is a powerfully moving 31 minute documentary, with a vivid depiction of the true atrocities that occurred in the Nazi concentration camps from 1933-1955, taking the lives of 9 million human beings. Rian Miller FLME 1010 “Nichols – Documentary” In this summary by Bill Nichols, it is argued that every documentary has its own Night And Fog. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive … The voice over for Night and Fog was written by Jean Carol, a French poet who survived the concentration camps. Todd Gitlin describes it as, Night and Fog (1956), directed by Alain Resnais14 The film’s title Night and Fog refers to the notorious Nacht und Nebel decree issued by Adolf Hitler on December 7, 1941. ***COMPLETED QUIZ WITH CORRECT ANSWERS AT BOTTOM OF DOCUMENT*** Lesson 8 Lecture Notes, Lecture Transcript, and Quiz. 1. They became known as the Documentary Film Movement and blended propaganda, information, and education with a more poetic aesthetic approach to documentary. I concur with film critic Francois Truffaut that the short documentary film is one of the greatest movies ever made. These films often bear a close resemblance to experimental and avant-garde film. Expository docs are heavily researched and are sometimes referred to as essay films because they aim to educate and explain things — events, issues, … The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside. The Six Types of Documentary Filmmaking . Documentary filmmaking is a cinematic style dating back to the earliest days of film. Read honest and unbiased product reviews from our users. How does her perspective and mode of expression compare with the corresponding features in Levi’s memoir? Discussion forum about the week contents. ... Today the "Observational Mode" is the most popular form of documentary. Gimme Shelter was the last concert film of the 1960s and became famous for filming a man being murdered at a Rolling Stones concert. The film’s original language is French and the original title is “Nuit et brouillard.” I watched the film using English subtitles. Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz and Majdanek in Night and Fog ( Nuit et brouillard ), one of the first cinematic reflections on the Holocaust. Fred Vogels PRO. Documentary theorist Bill Nichols proposes that there are six different documentary modes in cinema: the Observational, the Performative, the Poetic, the Expository, the Reflexive, and the Participatory. This is because they: “stress visual and acoustic rhythms…and the overall form of the film” (p.150). Night And Fog Analysis. Expository docs are heavily researched and are sometimes referred to as essay films because they aim to educate and explain things — events, issues, ways of life, worlds and exotic settings we know little about. Night and Fog feature two-abandoned concentration camp grounds, Auschwitz, and Majdanek. What kind of person is she? Nacht und Nebel (German: [ˈnaxt ʔʊnt ˈneːbl̩]), meaning Night and Fog, was a directive issued by Adolf Hitler on 7 December 1941 targeting political activists and resistance "helpers" in World War II, who were to be imprisoned, killed, or made to disappear, while the family and the population remained uncertain as to the fate or whereabouts of the Nazi state's alleged offender. Performative Mode An example of the Performative Mode is Alain Resnais‟ Night and Fog (1955) a subjective, survivor account of the holocaust , recounting a biased opinion of the events haven taken place. The film juxtaposes old stock footage of the Holocaust along with 1955 present-day footage of the concentration camp, Auschwitz, which was (and still is) open for tourism. It alternates between the present and past using black and white and color shots. In this book, he contends that documentaries with aims to inform/advocate/promote a cause are classified as a ‘poetic mode’ of documentary. Night and Fog with music of Fred Vogels. Alain Resnais uses the form of the art movie and his own essay-film innovations to communicate the … Consequently, the structure of Night and Fog renders the past and present as interconnected moments of time, prodding the audience to concurrently witness and contemplate the tremendous horrors of the Holocaust. The production of the film took place in 1955 using French as its original mode of language. The director achieved this feat through the use … To further my point on the elusive nature of objectivity, I screened Alain Resnais’s Nuit et brouillard (Night and Fog, 1956), Chris Marker’s Sans Soleil (1983) and Ari Folman’s Waltz with Bashir (2008.) 9. Alain Resnais used archival footage to make Night and Fog (1955), a film that alternated between past and present to describe life in a concentration camp. Night photography introduces many challenges that are easily avoided during the day, like noise, blurriness, and your camera’s hypersensitivity to movement. Additional Requirements and/or Comments: Attendance is required at all course sessions. With Michel Bouquet, Reinhard Heydrich, Heinrich Himmler, Adolf Hitler. Luckily, modern cameras provide you with an array of night-friendly settings to help get a sharp, properly exposed photo of stars, planets, and night landscapes. This evening we watched NIGHT AND FOG, which was one of the first documentaries dealing with the Holocaust. 1. Stranger With A Camera fits into the expository mode of documentary in that it gives an impression of objectivity. The crucial context is silence, and the film attempts to break that silence in light of the recent outbreak of the bloody Algerian War of Independence. Shoah: More: Lecture 9 1. The film's impact lies entirely in the … “Night and Fog is, in effect, an anti-documentary,” writes Philip Lopate, an apt description given the contrast between the expository mode of typical documentaries and the poetic impenetrability of Night and Fog.16 In Billy Wilder’s Death Mills, we see an Allied soldier approach the gas chambers and open the door as the voice-over explains, “Inside the shower bath, the gas vents; on the ceiling, the … Examples: Night and Fog, Araya, Koyaanisqatsi, General Orders No. Nichols uses Marlon Riggs’ Tongues Untied, as well as Alain Resnais’ Night and Fog as examples of this specific mode. Ann Hui’s darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family. Their work involved poets such as W. H. Auden, composers such as Benjamin Britten, and writers such as J. The way the audience is addressed within the film is another component that Night & Fog: Avant-garde Anti-documentary From an historic sense, it is appropriate to begin this discussion with the first real attempt to create filmic art out of the experience of the Holocaust. ... Director Alain Resnais' short 1955 documentary is among the very first films dealing with the Holocaust. [33], On 10 May 1990 a Jewish cemetery at Carpentras was desecrated and the body of a freshly buried man, Felix Germont, impaled on a stake. Certainly the idea of making a film about such a horror must have been a daunting prospect to a person of Resnais’s integrity, and when he was initially … Bill Nichols defines expository documentary mode as the mode that gives priority to the spoken word to convey the film’s perspective from a single, unifying source allowing the reader to better comprehend the combination of images with words (154). Night and Fog: Documentary exposing the Holocaust Bloodlands: Functionalist approach: Hitler Intentionalist: land acquisition in Russia…needed farm land. This decree was directed against persons endangering the security of Germany in the occupied territories. Bill Nichols has characterised the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Among the best known films of the movement are Night Mail and Coal Face. It embraces them in a … 11 At the same time, Night and Fog does share many of the neorealist symptoms of a film.Night and Fog is a mixture between these two movements, and a combination of subjectivity and objectivity beyond a point where either could exist. The predatory fish, which has wiped out the native species, is sold in European supermarkets, while starving Tanzanian families have to make do with the leftovers. The film Night and Fog is a short chronological documentary film that is directed by Alain Resnais. Night and Fog Film Analysis Essay. Until 3 May. Beware. Film Analysis: Night And Fog. False. From documentary especially, Vigo’s aforementioned À propos de Nice, Ivens’s Rain (1929), Buñuel’s sardonic Las Hurdes (1933), Resnais’s Night and Fog (1955), Rouch and Morin’s Chronicle of a Summer (1961); from the avant garde, Akerman’s Je, Tu, Il, Elle (1974), … Night and Fog has become the quintessential documentary of the concentration camps, extensively shown at synagogues and by Jewish groups—despite barely mentioning Jews. Resnais summoned the courage to bring us the blackened, cold piece of cinema that every other filmmaker was afraid to bring us. When approaching the idea of creating a documentary about the atrocities of the concentration camps and the Holocaust, Resnais initially felt that he was not the right person for . Weekly film showings, including NIGHT AND FOG, I AM NOT YOUR NEGRO, CASABLANCA, THE SEARCHERS, OUT OF THE PAST, VERTIGO, LAST BLACK MAN IN SAN FRANCISCO and others. This mode attempts to capture objective reality with the film maker not present, instead they stay behind the camera so they are ignored by the surrounding environment and … Menu. Night and Fog feature two-abandoned concentration camp grounds, Auschwitz, and Majdanek. One of the first cinematic reflections on the horrors of the Holocaust, Night and Fog (Nuit et Brouillard) contrasts the stillness of the abandoned camps' quiet, empty buildings with haunting wartime footage. But if you are cold, you might want to operate with as few camera adjustments as possible. Poetic mode This abstract approach to documentary filmmaking emphasizes visual associations, tonal or rhythmic qualities, description, and form. Night and Fog (Chinese: 天水圍的夜與霧) is a 2009 Hong Kong film directed by Ann Hui.Based on a real murder-suicide case in Tin Shui Wai in 2004, the film attempts to raise awareness of some issues related to new immigrants in Hong Kong.The film stars Simon Yam as Lee Sum, the abusive husband, and Zhang Jingchu as Wong Hiu-ling, his wife. Manual mode gives full control over your settings, which can be useful regarding that shooting snow is not too easy. This list is the combined critics and filmmakers list of all films that received 3 or more votes. The first and most powerful Holocaust reassessment extends the horror with the assertion that, in 1955, its reality is already fading from the world memory. Stevens’s movie uses archival footage, animation, and original music in order to tell the chilling story of the Crownsville State Mental Hospital. The Expository Mode. Night and Fog: Directed by Alain Resnais. This mode includes the familiar Ken Burns and television (A&E, History Channel, etc.) Produced ten years after the liberation of these concentration camps in 1955, Night and Fog (French: Nuit et brouillard) is a short documentary film directed by French film director Alain Resnais and written in collaboration with concentration camp survivor Jean Cayrol that exposes the horrors of various concentration camps in a brutally honest way. A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record". Night and Fog is a 1955 French documentary short film directed by Alain Resnais created ten years after to the liberation of Nazi concentration camps. 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